OdNu, alias of Argentine-born, New York–based composer Michel Mazza, continues his process-led approach to electro-acoustic construction, where guitar, synthesis, and field material are treated as interchangeable sources of micro-variation. According to the press release, His language is defined by minimal melodic cells that are repeatedly reframed through granular degradation, spectral diffusion, and controlled textural erosion.
The new work Invisible originates from an observational exercise at sunrise, translating perceptual change into slowly evolving guitar-based structures.Across the piece, harmonic fragments remain deliberately unresolved, emerging and dissolving within a shifting acoustic field shaped by light, resonance, and ambient interference.
Listen below.
