Rosie Carney’s Doomsday… Don’t Leave Me Here recasts her songwriting as a quiet architecture of pulse and shimmer, where restrained electronics and luminous harmonic threads drift around a voice carved in soft grain. She explains:
“Although the songs are essentially bigger and louder, they feel almost more personal and more intimate than anything I’ve created before. The bigger sound worked as a shield while I was writing – it felt safer to dig deep and explore themes of grief, heartache and isolation. This album is like a body of armour, and the softness lives protected within it. It’s a dream collapsing into a nightmare, and a nightmare dissolving back into a dream.”
Listen below.

![[Video]: Modeselektor and Kabeaushé – “IWULDLYK”](https://www.sonofmarketing.com/wp-content/uploads/2026/09/Screenshot20260911at141632_18e8-218x150.png)
![[Video]: Keaton Henson – “Prayer” (Version)](https://www.sonofmarketing.com/wp-content/uploads/2026/10/unnamed-2026-10-21T213930.345-218x150.jpg)
![[Streaming]: Mayo Thompson – “K-Pook”](https://www.sonofmarketing.com/wp-content/uploads/2026/10/unnamed-2026-10-05T221406.082-218x150.jpg)
![[Streaming]: Mynolia – “Take the Mountain By Surprise”](https://www.sonofmarketing.com/wp-content/uploads/2026/10/unnamed-2026-10-19T220934.077-218x150.jpg)
![[Album Streaming]: Ian Hawgood – “all these places, together”](https://www.sonofmarketing.com/wp-content/uploads/2026/10/Ian-Hawgood2-218x150.jpg)
